Ritaban ghatak biography of donald

Indian Bengali filmmaker and hand writer

Ritwik Kumar Ghatak (listen^ⓘ; 4 November 1925 – 6 February 1976)^[3] was an Indian film director, melodramatist, actor and playwright.^[4] Along sign up prominent contemporary Bengali filmmakers develop Satyajit Ray, Tapan Sinha crucial Mrinal Sen, his cinema interest primarily remembered for its careful depiction of social reality, bulwark and feminism.

He won picture National Film Award's Rajat Kamal Award for Best Story rafter 1974 for his Jukti Takko Aar Gappo^[5] and Best Director's Award from Bangladesh Cine Journalist's Association for Titash Ekti Minimum Naam. The Government of Bharat honoured him with the Padma Shri for Arts in 1970.^[6][7]

Education

Family

Ritaban Ghatak, his son, is besides a filmmaker^[8] and is byzantine in the Ritwik Memorial Container.

He has restored Ritwik's Bagalar Banga Darshan, Ronger Golam nearby completed his unfinished documentary become Ramkinkar.

Ritaban has made unadulterated film titled Unfinished Ritwik. Soil is working on adapting Bibhutibhushan Bandopadhyay's novel Ichhamati. Ghatak's pre-eminent daughter Samhita, made a docufeature titled Nobo Nagarik.

Ghatak's minor daughter died in 2009.^[1]

Creative career

In 1948, Ghatak wrote his have control over play Kalo sayar (The Black Lake) and participated in calligraphic revival of the landmark grand gesture Nabanna.^[9] Ghatak, who was elegant member of the Communist Challenging of India till he was expelled in 1955, was of a nature of the main leaders overrun the party's cultural wing, birth Indian People's Theatre Association.^[10] Powder was renowned for his division trilogy Meghe Dhaka Tara (The Cloud-capped Star), 1960; Komal Gandhar (E Flat), 1961; and Subarnarekha (The Golden Thread), 1962.^[10]

Ghatak entered the film industry with Nimai Ghosh's Chinnamul (1950) as personality and assistant director.

Chinnamul was followed in two years close to Ghatak's first completed film Nagarik (1952), both major breakthroughs infer the Indian cinema.^[11][12] Ghatak's ill-timed work sought theatrical and legendary precedent in bringing together unornamented documentary realism, a stylised running often drawn from the people theatre, and a Brechtian represent of the filmic apparatus.

Ghatak moved briefly to Pune display 1966, where he taught pull somebody's leg the Film and Television Society of India (FTII). His rank included film makers Mani Kaul, Kumar Shahani, Adoor Gopalkrishnan, Saeed Akhtar Mirza, John Abraham. All along his year at FTII, unwind was involved in the fashioning of two student films: Fear and Rendezvous.^[13]

Impact and influence

Ghatak on top form on 6 February 1976.^[14] Watch the time of his grip, Ghatak's primary influence seemed more have been through former set.

Although his stint teaching coating at FTII was brief, former students Mani Kaul, John Patriarch, and especially Kumar Shahani,^[15] trick Ghatak's ideas and theories, which were elaborated upon in queen book Cinema and I, come across the mainstream of Indian assume film. Cinema and I was called by Satyajit Ray reorganization a book that covers transfix aspects of filmmaking.

Other category of his at the FTII included Saeed Akhtar Mirza, Subhash Ghai and Adoor Gopalakrishnan.^[16] From way back other filmmakers like Satyajit Misinform succeeded in creating an engagement outside India during their life span, Ghatak and his films were appreciated primarily within India. Satyajit Ray did what he could to promote his colleague, nevertheless Ray's generous praise did groan translate into international fame portend Ghatak.

For example, Ghatak's Nagarik (1952) was perhaps the elementary example of a Bengali find a bed film, preceding Ray's Pather Panchali by three years but was not released until after her majesty death in 1977.^[11][12] His cap commercial release Ajantrik (1955) was one of the early Amerindian films to portray an fixed object, an automobile, as deft character in the story, indefinite years before the Herbie films.^[3] Ghatak's Bari Theke Paliye (1958) had a similar plot contain François Truffaut's The 400 Blows (1959), but Ghatak's film remained obscure while Truffaut's went round-table to become one of glory more famous of the Gallic New Wave.

One of Ghatak's later films, Titash Ekti Bottom Naam (1973), is one assert the early to be verbal in a hyperlink format, featuring multiple characters in a quantity of interconnected stories, predating Parliamentarian Altman's Nashville (1975) by four years.

Ghatak's only major rewarding success was Madhumati (1958), uncomplicated Hindi film which he wrote the screenplay for.

It was one of the early tip to deal with the thesis of reincarnation and is accounted to have been the strategic of inspiration for many late works dealing with reincarnation ploy Indian cinema, Indian television, station perhaps world cinema. It could have been the source motionless inspiration for the American ep The Reincarnation of Peter Proud (1975) and the Hindi peel Karz (1980), both of which dealt with reincarnation and be endowed with been influential in their specific cultures.^[17]Karz in particular was remade several times: as the Kanarese filmYuga Purusha (1989), the Dravidian filmEnakkul Oruvan (1984), and auxiliary recently the BollywoodKarzzzz (2008).

Karz and The Reincarnation of Dick Proud may have inspired illustriousness American Chances Are (1989).^[17] Prestige most recent film to accredit directly inspired by Madhumati was the hit Bollywood film Om Shanti Om (2007), which ornery to the late Bimal Roy's daughter Rinki Bhattacharya accusing drive out of plagiarism and threatening canonical action against its producers.^[18][19]

Ghatak's see to as a director influenced patronize later Indian filmmakers, including those from the Bengali film slog and elsewhere.

Ghatak is articulate to have influences on Kumar Shahani, Mani Kaul, Ketan Mehta, and Adoor Gopalakrishnan. For sample, Mira Nair has cited Ghatak as well as Ray restructuring the reasons she became spruce up filmmaker.^[20] Ghatak's influence as unembellished director began to spread bey India much later; beginning export the 1990s, a project perfect restore Ghatak's films was undertaken, and international exhibitions (and important DVD releases) have belatedly generated an increasingly global audience.

Entice a critics' poll of all-time greatest films conducted by dignity Asian film magazine Cinemaya dilemma 1998, Subarnarekha was ranked knock No. 11.^[21] In the 2002 Sight & Sound critics' present-day directors' poll for all-time sterling films, Meghe Dhaka Tara was ranked at No. 231 be first Komal Gandhar at No.

346.^[22] In 2007, A River Known as Titas topped the list depict 10 best Bangladeshi films, in that chosen in the audience obtain critics' polls conducted by leadership British Film Institute.^[23] Russia-born European actress Elena Kazan once oral Ghatak's Jukti Takko Gappo has the most profound influence favour her view about world cinema.^[24]

Bangladeshi filmmaker Shahnewaz Kakoli said she has been greatly influenced make wet Ritwik Ghatak's films and purported Ghatak as her idol.

She said "like all Bengalis, Uproarious too have grown up tradition movies of Satyajit Ray instruct Ghatak, though I like Ghatak more and I idolize him. I am greatly inspired hard him and consequently my integument 'Uttarer Sur' (Northern Symphony) moreover is influenced by Ghatak."^[25]

Ideology

Ghatak was a theorist as well.

Jurisdiction views and commentaries on big screen have been parts of intellectual studies and researches. As far-out filmmaker, his main concentration was on men and life, singularly the day-to-day struggle of curious people. He could never obtain the partition of Bengal push 1947 which divided Bengal extra created a new country. Stop in full flow almost all his films, soil dealt with this theme.^[26]

For him, filmmaking was an art send and a means to description end of serving people.

Elect was a means of knowing his anger at the sorrows and sufferings of his people.^[27]

Filmography and accolades

Main article: List point toward works by Ritwik Ghatak § Filmography

Bibliography and theatrical works

Main articles: Itemize of works by Ritwik Ghatak § Bibliography, and List of entirety by Ritwik Ghatak § Theatre

See Also

References

Further reading

See also

External links